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lyrics
Like Tears in Rain - Claret Ash
Cast aside for their abated weakness
Sublime compassion diluted into a watery grave
Humanity with such inhumane deliverance
Strength in numbers has led to my wandering ideals
Never known - Never felt
Never mind - It never ends
Never realise - Nevertheless
Never mind - It never ends
As their tears cascade I wipe away
With my caring hands
As they shift their consciousness
As it falls towards the ground
The tears, your tears slowly penetrate
The earth, the tree, under my feet
The strength in numbers now cause a flood
As the tears fall towards the ground
The tears, your tears slowly penetrate
The earth, the tree, where I lay
A paradise degraded and destroyed
Fed liquidised compassion
I struggle to maintain an empathetic outlook
Upon the self destructive masses
As the decline begins to unfold
supported by 32 fans who also own “Like Tears in Rain”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue. Matt Richardson
supported by 32 fans who also own “Like Tears in Rain”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end. sachavonkarl74
supported by 31 fans who also own “Like Tears in Rain”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert